Media@McGill Members’ Projects
| Augmented Reality in Contemporary Art: Interdisciplinary Perspectives |
| Communication Rights and the Right to Communicate |
| Crime, Visuality and Print Media |
| Cyanide and Sin: Visualizing Crime in 50s America |
| Developing an Ethos of Fair Dealing for Research on Canadian Culture Online |
| Digital Audio and the Condition of Sound Culture |
| Documentation and Conservation of Media Arts heritage |
| Gender, Crime, Security and the Media |
| Grain Elevators and the Politics of Technology in Rural Canada |
| Improvisation, Community and Social Practice |
| Infrastructures of Resistance and Change: Transnational Civil Society Interventions in Communication Infrastructure Policy |
| Mapping Global Media and Communication Policy |
| Marconi and Our Time: Innovation, Communication, Technology and Globalization |
| Media and Urban Life in Montreal |
| Mediality and the Inhabitability of the Contemporary World: Art, culture and communication on media and space |
| Mobile Citizenship, Immobilized Migrants |
| Modern Metamorphoses: How Changing Our Bodies Changes Us |
| Neo-conservatives and the Politicization of Science and Technology in Canada |
| Print Culture and Urban Visuality |
| Remaking Victims: News and the Politics of Victims’ Rights |
| Second Wounds: Victims’ Rights and the Media in the U.S |
| Sound Directions: How Sonic Models Shape New Media |
| Strategic Research Cluster on Media Governance |
| Technologies, médias et représentations en Angleterre et en France au dix-neuvième siècle |
| The Conceit of Technology: Essays on Politics |
| The New Environment for Global Media Governance |
| To Give People Voice |
| Transnational Advocacy on Access to Knowledge (A2K) Issues |
| Transnational Yearnings: Tourism, Migration, and the Diasporic City |
| Vernacular Multiculturalism |
| Witness Failed: Cultural Legacies of the 1964 Kitty Genovese Murder |
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