Arts Building W-215, McGill University, 853 rue Sherbrooke West, Montreal, QC, H3A 0G5
Media@McGill and the AHCS Speaker Series present a private screening of the film, Containment, followed by a seminar discussion with director, Peter Galison. Limited space available. Priority given to McGill graduate students.
For more information, please contact: Zoe de Luca (email@example.com)
Bio: Peter Galison is the Joseph Pellegrino University Professor, Harvard University, USA. Galison is interested in the intersection of philosophical and historical questions such as these: What, at a given time, convinces people that an experiment is correct? How do scientific subcultures form interlanguages of theory and things at their borders?
More broadly, Galison's main work explores the complex interaction between the three principal subcultures of twentieth century physics--experimentation, instrumentation, and theory. The volume on experiment, How Experiments End (University of Chicago Press, 1987), and that on instruments, Image and Logic (University of Chicago Press, 1997), are to be followed by the final volume, "Building, Crashing, Thinking," that is still under construction. Einstein's Clocks, Poincaré's Maps (W.W. Norton, 2003) begins the study of theory by focusing on the ways in which the theory of relativity stood at the crossroads of technology, philosophy, and physics. Image & Logic won the Pfizer Award from the History of Science Society in October 1998.
In addition, Galison has launched several projects examining the powerful cross-currents between science and other fields. His book (with Lorraine Daston), Objectivity (Zone Books, 2007) asks how visual representation shaped the concept of scientific objectivity, and how atlases of scientific images continue, even today, to rework what counts as right depiction. Further work on the boundary between science and other fields includes his co-edited volumes on the relations between science, art and architecture, The Architecture of Science (MIT Press, 1999; ed. with Emily Thompson) and Picturing Science, Producing Art (Routledge, 1998; ed. with Caroline A. Jones), as well as Big Science: The Growth of Large-Scale Research (Stanford University Press, 1992; ed. with Bruce Hevly), The Disunity of Science: Boundaries, Contexts, and Power (Stanford University Press, 1996; ed. with David J. Stump), Atmospheric Flight in the Twentieth Century (Kluwer, 2000; ed. with Alex Roland), Scientific Authorship: Credit and Intellectual Property in Science (Routledge, 2003; ed. with Mario Biagioli), and Einstein for the 21st Century: His Legacy in Science, Art, and Modern Culture (Princeton University Press, 2008; ed. with Gerald Holton and Silvan S. Schweber).